{"id":1334,"date":"2014-07-03T17:47:16","date_gmt":"2014-07-03T22:47:16","guid":{"rendered":"http:\/\/www.glbtrt.ala.org\/reviews\/?p=1334"},"modified":"2015-01-15T21:17:12","modified_gmt":"2015-01-16T05:17:12","slug":"ra1bows-of-th3-abyss","status":"publish","type":"post","link":"https:\/\/www.glbtrt.ala.org\/reviews\/ra1bows-of-th3-abyss\/","title":{"rendered":"Book review: Ra1nb0ws of th3 Abyss, by Steven James Blair"},"content":{"rendered":"<p><a href=\"http:\/\/www.blurb.com\/b\/3852145-ra1nb0ws-of-th3-abyss\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-1335\" src=\"http:\/\/www.glbtrt.ala.org\/reviews\/wp-content\/uploads\/2014\/07\/Abyss-300x200.jpeg\" alt=\"Abyss\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.glbtrt.ala.org\/reviews\/wp-content\/uploads\/2014\/07\/Abyss-300x200.jpeg 300w, https:\/\/www.glbtrt.ala.org\/reviews\/wp-content\/uploads\/2014\/07\/Abyss.jpeg 534w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Blair, Steven James. <em>Ra1nbows of th3 Abyss. <\/em>Brian Wrixon Books. 2012. 90p. PB. 978-0-9917214-4-3.<\/p>\n<p>I was a wannabe rule-breaker kid, the type to get straight A&#8217;s but to idolize those who lived messy, chaotic, and seemingly more free lives. Naturally, I applauded anybody who broke the rules, especially in literature and poetry. When I was in high school, my theatre teacher had an anthology of poems on her desk that I read off and on. I worked my way through the whole thing by the time I graduated. I preferred free verse, but this collection had something different. It was Mark Jarman&#8217;s <em>Rebel Angels: 25 Poets of the New Formalism. <\/em>These were poets who wanted to play by the rules but say something new.<\/p>\n<p><!--more--><\/p>\n<p>I bring this up because I see the incomplete rejection of poetic rules as the central problem of Steven James Blair&#8217;s collection <em>Ra1nbows of th3 Abyss. <\/em>The poems, while often full of heart, fail to resonate on a deeper level because of structural deficiencies. This collection features an inconsistent over-reliance on rhyme and adds a sing-songy quality to poems that are otherwise rather dark in mood. This repeated trope also leads to a wordiness destroying any regular meter that could have been developed. The mixture of these two constricting elements throughout the collection leads to a choppiness that impedes easy reading. It&#8217;s not free verse, but it doesn&#8217;t have enough of the formal elements that help traditional-form poems excel. For one example, take the opening to &#8220;Against Time&#8221;:<\/p>\n<p>Seconds go by<\/p>\n<p>I get that bit of water in my eye<\/p>\n<p>When you turn to me and say &#8230; goodbye<\/p>\n<p>Minutes go so fast<\/p>\n<p>I always want your touch to last<\/p>\n<p>One minute more- before it&#8217;s in the past<\/p>\n<p>The rhyme forces a wordiness that makes the lines seem both rushed and choppy. The punctuation further stalls an already odd structure. This impression is present in almost every poem in this collection.<\/p>\n<p>I believe that all readers can understand the impulse of saying something and wanting it to be heard, but I think that this collection of poetry could have gained from either an insightful editor or more time to let it grow. Blair has some good lines like &#8220;It takes two to tango but it&#8217;s got twelve steps.&#8221; As it is, however, many of the poems read like first drafts that were dashed off on someone&#8217;s long forgotten LiveJournal after a particularly bad night with a boyfriend.<\/p>\n<p>This collection is not recommended for libraries.<br \/>\nReviewer: John &#8220;Mack&#8221; Freeman<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Blair, Steven James. Ra1nbows of th3 Abyss. Brian Wrixon Books. 2012. 90p. PB. 978-0-9917214-4-3. I was a wannabe rule-breaker kid, the type to get straight A&#8217;s but to idolize those who lived messy, chaotic, and seemingly more free lives. Naturally, I applauded anybody who broke the rules, especially in literature and poetry. When I was [&hellip;]<\/p>\n","protected":false},"author":1190,"featured_media":1335,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19,40],"tags":[85],"_links":{"self":[{"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/posts\/1334"}],"collection":[{"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/users\/1190"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/comments?post=1334"}],"version-history":[{"count":0,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/posts\/1334\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/media\/1335"}],"wp:attachment":[{"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/media?parent=1334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/categories?post=1334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/tags?post=1334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}