{"id":1308,"date":"2014-05-15T19:04:29","date_gmt":"2014-05-16T00:04:29","guid":{"rendered":"http:\/\/www.glbtrt.ala.org\/reviews\/?p=1308"},"modified":"2015-01-15T23:02:04","modified_gmt":"2015-01-16T07:02:04","slug":"breaking-through","status":"publish","type":"post","link":"https:\/\/www.glbtrt.ala.org\/reviews\/breaking-through\/","title":{"rendered":"Film review: Breaking Through"},"content":{"rendered":"<p><em><a href=\"http:\/\/www.breakingthroughmovie.com\/\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-1309\" src=\"http:\/\/www.glbtrt.ala.org\/reviews\/wp-content\/uploads\/2014\/05\/images1.jpg\" alt=\"Breaking Through\" width=\"197\" height=\"255\" \/><\/a>Breaking Through.<\/em> Dir. Cindy Abel. Atlantis Moon Productions. 2012. 67 min. (extended cut: 83 min.)<\/p>\n<p>Cindy Abel&#8217;s captivating and thoroughly rousing documentary <em>Breaking Through<\/em> is the kind of film that makes you wonder why all other documentaries can&#8217;t be as unique, polished, and impactful. It&#8217;s the kind of film that provides crystal-clear insight into unique obstacles facing LGBT people in our society while also inspiring all viewers to work to undo and overcome those impediments. It&#8217;s the kind of film that you finish and wonder where it&#8217;s been your whole life.<\/p>\n<p><em>Breaking Through<\/em> focuses on the personal and political lives of more than two dozen LGBT elected officials in a diverse range of positions and regions all across the United States. Some interviewees, such as Rep. Barney Frank and Sen. Tammy Baldwin, are quite well-known, but many of the most fascinating stories come from unheralded officials in unexpected localities. One that springs immediately to mind is Lupe Valdez from Dallas County (TX)&#8211;the first Latina, openly LGBT sheriff in the state. Despite the vulnerability she displays while telling her story, she is an absolute force of nature.<\/p>\n<p><!--more-->Although the subjects all have an astonishingly diverse range of experiences growing up and running for office, some all-too-familiar, infuriating similarities arise in most of their stories. Many of them speak of never having felt as if elected office or state-sanctioned equality could ever be within their grasp. One interviewee has this heartbreakingly telling line: &#8220;I didn&#8217;t think America was about me.&#8221; Others speak of having their personal lives cruelly exploited by election opponents. The message is clear: although things continue to improve, life is not easy for LGBT politicians, especially living under a very public microscope.<\/p>\n<p>In addition to the compelling personalities on screen, this film&#8217;s production values are exceptional. The viewer is almost instantly drawn into the film&#8217;s musical and especially visual choices. The shots of photographs, newspaper clippings, and stock footage interspersed into interviews have a vibrancy that recalls the style of the visually stunning 2002 documentary, <em>The Kid Stays in the Picture<\/em>. Rather than a view of an old photo album, the experience is watching a scrapbook come alive. This graphic vitality bringing these politicians and officials to life creates a real empathic connection with the viewer.<\/p>\n<p>If I have one quibble with the film, it is its energetic presentation. Sometimes the film feels a little too slick and fast-paced for its own good. The editing often favors quick, borderline-MTV Style edits in which shots of interviewees don&#8217;t linger long enough to fully register or satisfy. The major drawback of this occasionally jarring effect is that, with so many interviewees, viewers may never feel they get a chance to develop familiarity with them all. This is a shame, because they all have wonderful stories. (For context, I&#8217;m reviewing the shorter cut of the film. The extended version may have a different pacing of edits.)<\/p>\n<p>These aesthetic production issues, however, may be a matter of taste and don&#8217;t diminish the emotional power or uplifting crescendo of this film. In fact, one of the most admirable aspects of <em>Breaking Through<\/em> is the deftness and subtlety of how its final act builds. The film gives a great deal of attention to the hardships and obstacles its subjects have faced, but the film makes a quiet shift towards focusing on the power of perseverance, honesty and self-respect. The change in theme and tone happens so slyly that only in the closing minutes of the film do you realize just how compelling and forceful a case has been made for the importance of social change and the power of coming out. This film is a stellar achievement in recent LGBT documentary filmmaking. Highly and unequivocally recommended for school, public, and academic libraries catering to viewers ages 10 and up.<\/p>\n<p>Michael Mungin<\/p>\n<p>Psychology Liaison Librarian, James Madison University<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Breaking Through. Dir. Cindy Abel. Atlantis Moon Productions. 2012. 67 min. (extended cut: 83 min.) Cindy Abel&#8217;s captivating and thoroughly rousing documentary Breaking Through is the kind of film that makes you wonder why all other documentaries can&#8217;t be as unique, polished, and impactful. It&#8217;s the kind of film that provides crystal-clear insight into unique [&hellip;]<\/p>\n","protected":false},"author":1190,"featured_media":1309,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[35,22],"tags":[76],"_links":{"self":[{"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/posts\/1308"}],"collection":[{"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/users\/1190"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/comments?post=1308"}],"version-history":[{"count":0,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/posts\/1308\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/media\/1309"}],"wp:attachment":[{"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/media?parent=1308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/categories?post=1308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glbtrt.ala.org\/reviews\/wp-json\/wp\/v2\/tags?post=1308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}